The Artist’s Way Challenge

Ooof, a lot of that came from therapy and lots of intentional journaling. I’ve dealt with imposter syndrome ever since I was 18 and to get past it, I really had to get to the heart of why I have these limiting beliefs, figure out who or what imparted them into my brain, stop seeking validation from outside of myself, confront that belief, put it to rest, and get out of my head.

It’s a tall order. Something that really helped me was creating a spiritual practice for myself that’s actually just a mish mash of different philosophies and belief systems. I just made it work for me. Getting a nice set of tarot cards for visualizing helped me get this practice off the ground. I don’t even use the cards as they’re meant to—I use it as a visual journaling exercise when I feel lost and need to meditate.

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i love that! :heart:

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How are things going for y’all so far? I’ve been getting to some breakthroughs this week and they’re a bit confronting honestly. However, I’m noticing that I’m not being emotionally avoidant anymore—especially about asking questions I don’t want to know the answers to (these unasked questions to my family were keeping me blocked)

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I’ve just this second finished my morning pages and I notice that it takes about an hour each morning. I’m just a bit slow at getting things written down I guess. A lot of family stuff has been coming up for me too. It’s better out on the page than festering in my mind like a cloud though.

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Same here, when I first started it took me about an hour and a half to finish my pages. Now I take between 40-1 hour to get them done.

Yea, I had some really emotional moments while doing my morning pages. I’m having to do a lot of positive reinforcement to build myself up which is what I need right now

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same here, a lot of stuff coming up for me. the first day i felt motivated to call my mom and have a frank discussion about a few things, and was surprised she opened up about something too. i felt like it was a huge revelation of sorts. i also just started seeing a new specialized therapist, so they’ve been giving me homework too. hi aries season lol… :joy:

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That is awesome! I’m glad you’re feeling this and getting to the heart of things :slight_smile:
Happy birthday season Aries!

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I took a day off from the morning pages yesterday but got back to it this morning. One of the things that came up this week was that I have no record of my sculptures prior to the internet and digital photography. So, I opened a few boxes in my (extremely messy) studio and unwrapped a few pieces and took photos. This isn’t all of them, but it gives a sense of the stuff I was making back in the late nineties.

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Amazing to archive all of your previous work! I’m currently on my artist date. Put on some great clothes and took myself out to eat. After I will head to a thrift shop around the corner and see what I find. Wish me luck on my treasure hunt!

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Sounds wonderful!

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I found what I was looking for and they fit perfectly!!! So happy

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Wow, those are some intriguing pieces. Are they all similar in size? Scale is hard to tell on my phone. It looks like inner excavation.


Your post reminds me of all the photos I have prior to digital (or easily accessible these days digital). I went thru them several years ago b4 a move. It may be time to do again.

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They are all quite small, most would fit in the palm of my hand. Larger sculptures are difficult to store and so, many of them don’t exist any more. I have larger paintings but being flat they can be stored more easily.

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How long have you been making sculptures for actually?

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I graduated from art school in ‘94.
I can’t remember a time that I wasn’t making things though.

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Checking in week 3,

I’m going at my own pace and I’m being very consistent with the morning pages. Realizing I haven’t done some of the things I’ve love doing in ages and it was shocking. Currently giggling over an inside joke I have with my friend about walking into a dark room with a cup of espresso to inspect some meats. I feel a bit insane lately but I’m enjoying :joy:

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Had a wild dream today about my inner critic/surface level fashion-art “curator/enthusiast” who doesn’t actually make art but thinks they’re qualified to judge. In my dream I am in my work space when I stumble onto an “arts award ceremony” that happened months before and my name is listed in several categories, but as an afterthought and in one of the categories my name is grossly misspelled. So I contact the director of the art awards and say we have a problem. I invite them to my house and I let them have it! Somehow my parents were there too as witnesses as I lay into this person because they’ve been my worst critics and I share nothing about my success with them so maybe I thought they deserved a tongue lashing too and a masterclass in this how you stand up for your child. My favorite part of the tirade was the how I chose to end it: “now get out. Out! Take your funky shoes and that wild ass purse—check to see if you have your phone and keys because I don’t want you coming back here. The nerve, coming to me dressed like a wet fish. Out!”

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It’s been quite a week of unpacking things, especially that dream. I’m glad I had it and that I felt empowered enough to confront my inner critic in that manner. I ended up writing a short story about Mrs. Bridge and Mr. Bridge, based on the novels by Evan S. Connell and I took quite a few liberties. I’m happy with the work. I recommend you read the 1st chapters from each book (they’re both just a few paragraphs long) to get the full context of what I’m going for here.

If you can’t read it, the novel follows an upper middle class family in Kansas City that can’t find a way to bridge the emotional distance between them. At one point Mrs. Bridge wakes up her husband and pours her heart out to Mr. Bridge while they’re in bed but Mr. Bridge falls back asleep before he can say anything. India is Mrs. Bridge’s first name and the novel starts of by telling us that Mrs. Bridge always wondered why her parents named her India.

Mrs. Bridge
As the years went on, Mrs. Bridge began reflecting on her married name. “A bridge? A bridge to what!?” she would scream in the depths of her mind. There was nothing between her and Mr. Bridge but silence and droning snores night in and night out, an unending stretch of perfectly manicured lawns accompanied by the overpowering stench of freshly cut grass. She spent countless nights staring at the lopsided face of Mr. Bridge as he lay snoring on his pillow, the wear of time creeping imperceptibly up his cheeks to settle at the corners of his eyes and into crisp creases on the temple of his head. She wrote stories on those fine lines—of Italy, India, and Bali and of a man named Brazil.

Every unrealized fantasy sunk her eyes deeper into the recesses of her skull and stretched her lips thinner over her teeth so that in the depths of the night, lights gleamed out her eye sockets like a bejeweled skull peering out of Aztec catacombs. She laid there for what seemed like the passing of an eternity, felt the wind creak through the cracks forming at the corners of her bedroom windows, and watched the air tussle, then scatter Mr. Bridge’s dandruffed hair onto the yellowed bed-linens until finally, she had enough. For the first time in centuries, she got up, swatted away the mottled curtain blinds, pushed open the glass, and flew out of the window, over prairies, to India. There, she met an Indian woman named Kali Fornia and the two of them settled in Northampton, Massachusetts where they adopted a Black child from Burkina Faso named Rwanda.

India was smitten by Kali Fornia as soon as she laid eyes on her ample figure and through Kali Fornia’s unceasing love, India’s hollowed-out cheeks started to gain color again. Kali spoke at length about her life and her aspirations, her dreams to make something of herself through her wit and guile, and how she would master the places that told her she could only be mastered by another. India knew she had to keep this woman in her life and so she showed her videos that spoke eloquently of life back in the United States, conjured luscious pictures illustrating how opportunity abounds for the taking in the West until finally, she convinced Kali Fornia to leave with her, stomach bloated with dreams. India listened but never talked about her experiences; the more Kali Fornia talked, the smaller she became until she had nothing left to give to India.

Rwanda always felt out of place. For one, everyone spoke Swahili in Northampton and expected him to speak it as well, and two, his mother, Kali Fornia, was a brown woman with thick silky hair that flowed past her waist and she never stopped talking about sending him to Cambridge and then after that to Cambridge in the United Kingdom to study. He always felt that his mother, Kali Fornia, was hiding something because every time someone asked her where she was from, she would shift her weight from one foot to the other and answer, “London University.” His other mother, India, was a skull and every time he looked into her bejeweled eyes, he would feel as though he had forgotten a part of himself while his skin gradually lost all melanin until it became almost translucent alabaster.

And so India outlasted both Kali Fornia and Rwanda. All she wanted to do was to let them know how much she craved them in her life but her centuries of staring at the face of Mr. Bridge left her tongue desiccated and shriveled. After all, she knew that diction lays at the tip of the tongue and at the cracks of the teeth so the words she couldn’t utter created a hole in the pit of her stomach that drained the house of its livelihood. As she kept her silent vigil over Kali Fornia and Rwanda, India would perch atop their bedposts to watch them sleep, alternating between them depending on the hour and absorbing their dreams through her ruby eyes until the jewels encrusted atop her brows burned with an infernal flame flickering within the depths of her icy sepulchre.

Mr. Bridge
The night after Mr. Bridge went back to sleep, he never woke up. He was never a talker even though it was his job to speak and he only spoke when there was a buck to be made. So after all of those nights of holding his tongue for fear of putting himself in a losing position, he finally choked on all of his unarticulated feelings and died. Afterward, the sound of his snoring was manufactured by the blowing of the wind through his ears and out of his nostrils, carrying out the sound of the air brushing against his eardrums. Since he never talked, Mrs. Bridge never realized he was dead even until the moment she decided she had enough and flew out of the window to India. Mr. Bridge just laid on that pillow as time sagged the skin off his face until he became a memento mori of their silent situationship.

Before he died, he wanted to ask Mrs. Bridge why she wasn’t satisfied. She had everything she needed here–a home, a husband, a porch, knitting needles, cookware, and neighbors. Why couldn’t she accept his love? Didn’t he lay there every night with her, facing her, giving her solace and comfort that his face would always be within her field of vision? Why couldn’t she see that he was all she needed and that he loved her? He needed to scream this out but the gushing of words from his soul caught in his throat and spilled over into his lungs, locking out the air from oxygenating his blood––his last words an imperceptible, indecipherable whisper fallen off a dilapidated bridge.

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Oooh! Great stuff!

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I’ve been playing around this evening. I have the feeling some household paint is going to get chucked on this……

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