When survival stops looking like living - My open diary

My alcoholism is not a moral weakness. It is an ancient neurobiological regulator triggered by overload and sustained by exhaustion, overthinking and anticipation.

The only thing I watch out for every day is the risk of mental overexposure to systems that I know only too well and that will not change.

Basically, observing, anticipating, adjusting, containing, translating, and cushioning is exhausting for me. And it is precisely in this exhaustion that alcohol enters the picture again.

This means that I must no longer continue to position myself internally as a player in a system that I have already left, but to truly live my life, even if it is ordinary.

My job is to disengage mentally. If a thought does not protect my sobriety or my family, it is optional.

Your journal is very insightful. Thankyou. Keep writing :flexed_biceps:t2:

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I’m aware of the limits of this forum, without wanting to disqualify anyone.

Our community is generally united, caring, and respectful. It’s a real, valuable strength, and it deserves to be preserved.

That said, some situations are tricky to deal with, especially when very vulnerable people ask for help that sometimes goes beyond what peers can offer. In these cases, the answer is not always obvious.

For my part, when I am not sure I can be helpful, I choose not to respond and to observe. Not out of indifference, but out of responsibility. I’m not a health professional, just a regular on the forum, just another addict.

The central question I ask myself is this:

am I really in a position to reduce the risk of consumption, calm cravings, and interact positively with people in recovery?

In other words, even though online communities like ours exist to help, I remain aware that the digital ecosystem can also contain stimuli that are contrary to sobriety. The relevance and impact of the words exchanged matter.

It is in this spirit that I have chosen to write an open diary.

An open space where I can reflect, remain lucid, and continue on my journey without projecting my limitations onto others.

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Here is a painting by Paul Klee.

I have been inspired by it for several months without knowing why. My goal is to put words to it. Simply. Without art theory, as usual, just what I think.

It’s posted now. I’ll have to say what I think.

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Bust of a child. Paul Klee. 1933.

This is a still, quiet child, held inside, facing a magnificent light outside. The child watches the world without participating in it. He is isolated, perhaps convalescing. He stands there, attentive, on the border between the interior space and the life unfolding outside.

The light that illuminates his face is not only natural, it“s relational. It connects the child to what he“s observing, while emphasizing the distance that separates them. The hand resting against the window gently marks this boundary. This gesture expresses neither frustration nor a desire to escape, but a measured, almost empathetic contact, as if touching were enough to participate.

The child’s identity remains undetermined. Boy or girl, it doesn’t matter. It is an interior portrait. I observe my own consciousness with nostalgia: I could have been that child if I had been protected. But I was outside. This painting would have been an empty but peaceful interior. This peaceful place was inaccessible to me, even though I lived there physically as a child.

This distance in Klee’s painting, between the child and the outside world, evokes a precocious wisdom, a form of silent protection from the turmoil of the world. The child’s face is humbly animated with joyful emotions, crossed by a discreet smile. A contained joy, turned towards others rather than towards oneself. The child seems happy for what he sees, not for what he does. His immobility is not passivity, but deep attention. He is inward-looking. It is almost meditative.

Naturally social, the child is nevertheless not immersed in collective activity. This tension between relational impulse and withdrawal is at the heart of the work. Klee thus suggests that observation is already a way of being in the world. Looking becomes an action, touching a recognition, staying inside a way of inhabiting the connection differently.

This Bust of a Child explains nothing, tells no story; it maintains a state. In this restraint, in this light filtered through the window, a figure emerges, attentive, serene, deeply human.

I didn’t have a preserved interior as a child. But I am becoming its guardian.

This painting of Klee is a state of reference when agitation, nostalgia, or craving return.

I’m no longer outside. I’m learning to keep myself in check without losing myself. I remain sober. Is this peace? I know so.

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Why I started drinking

I didn’t start drinking because I liked excess or because I was attracted to nightlife.

Alcohol didn’t come into my life as a transgression, but as a solution. An imperfect solution, but one that was immediately effective.

From a very early age, I grew up in a family environment where the boundaries were unstable. From the outside, everything seemed fine. Inside, the atmosphere was tense, unpredictable, often silent when a protective voice would have been needed. There was authority, sometimes cruelty, sometimes confusion. Above all, there was no space for me to express my feelings without feeling exposed or judged.

As a child, I learned to observe before speaking, to anticipate moods, to be constantly on my guard. For example, I sometimes had to measure my words, avoid certain topics, and sense when to be discreet. Care was not absent, but it was conditional. We could be seen for what we did, but rarely for what we felt. Emotional security was not guaranteed; it depended on the context, the moment, the fragile balance of the moment.

In this climate, I built myself up outside.

Outside of myself, outside of inner peace.

I developed valuable resources: lucidity, endurance, autonomy, the ability to hold on. But these qualities were formed under pressure. They allowed me to move forward, not to rest.

As a teenager and then as an adult, alcohol seemed like a shortcut. Not for fun, but to calm the noise. Not to forget myself, but to contain myself.

Drinking allowed me to finally let myself relax. To stop analyzing every interaction. To take off my armor, even briefly. After a drink, I could breathe without effort. I no longer needed to be tough. I could just be there.

Alcohol gave me something I had never really known: artificial access to inner calm. Gradually, it became a regulator. For exhaustion. For tension. For mental overload.

I could work, build, move forward, with its help. The outer world functioned. The inner world remained on life support. It wasn’t alcohol that created my weaknesses. It adapted to them.

Over time, the price to pay became heavier. My body resisted less well. My mind became dulled. What had helped me cope began to damage me. Above all, alcohol ceased to be a choice and became a necessity that had to be negotiated every day. That’s when something changed.

I didn’t stop drinking out of shame, nor out of fear of a spectacular collapse. I began to question alcohol out of deep exhaustion. Exhaustion from having to constantly manage myself. Exhaustion from never fully inhabiting my own inner space.

Today, I understand that alcohol was an attempt at repair, but misdirected, costly, and understandable.

Sobriety, for me, is not a return to an idealized previous state. It is the belated realization that I did not receive a livable, stable, quiet inner world early enough in my life.

I am no longer trying to prove anything to myself. I am trying to stay present, without anesthesia. To live without having to dissolve myself in order to cope. I am not telling this story to justify myself or to explain to others how to do it. I am telling it to remain faithful to my own story, without simplifying it, without embellishing it, without denying it.

That’s how I started drinking. And that’s how I am learning, today, to no longer need it.

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Automat. Edward Hopper. 1927.

This painting nicely illustrates the answer to the question ā€œwhyā€.

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World news has been heavy and noisy lately.

I think about it almost every day. Even when I do my best to distance myself, I remain curious: I read, I try to understand, to find the truth, which becomes almost impossible as the opinion factory obscures the facts.

So I remind myself of something simple: I can’t calm the world, but I can calm my own inner space.

For me, this involves very concrete things: limiting screen time when I feel agitated, going for a walk, breathing, talking to someone face to face, getting back to my routine. I just need to get back to basics.

I don’t have to carry problems on my shoulders that are beyond my control.

My priority remains the same: taking care of my mental health, which means avoiding anxiety-inducing situations and not drinking today.

Everything that happens on a large scale can easily make you feel powerless. But on my own scale, I remain in control, and that’s enough for me. I’m there for my family, I do my job properly, I remain kind to myself and others. If I can put my energy into that, my day is a success.

Here is a painting that helps me remember that we have the right to protect ourselves from the noise of the world.

The Monk by the Sea, Caspar David Friedrich, 1810.

I build my sobriety in calmness and let the storms pass by remaining anchored within myself.

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Staying Congruent

To stay sober, I first have to stay congruent.

That means what I feel, what I think, and what I do can’t stay in contradiction for too long.

The Forbidden Reproduction, RenƩ Magritte, 1937.

In Magritte’s painting, the problem isn’t the mirror. The scene is ordinary, almost banal. And yet something is off. The man can only see himself the way we see him. His face is there, but it is seen neither by him nor by us. There is an inner blind spot. And because everything looks normal, we understand how this can repeat itself without ever being consciously noticed.

When I tell myself ā€œI’m fineā€ while I’m exhausted, I create tension. When I present myself as strong while I’m actually fragile, I move away from myself. And when that gap becomes too wide, my brain looks for a quick solution: alcohol. Not anymore.

Being congruent isn’t about being strong or flawless. It’s about being honest early enough.

It’s being able to say ā€œI’m tiredā€ before I break.
It’s showing my current state instead of performing control.
It’s slowing down before everything spirals.

When I look at my addiction through this lens, my urges don’t come out of nowhere. They show up when I push myself beyond what I can hold calmly. When I stay in that blind spot, I stop recognizing myself.

Right now, staying congruent means choosing inner coherence.

It means allowing myself to slow down and noticing the storm early enough to protect myself.

My sobriety today is staying aligned with what I’m actually living.

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I absolutely love this post

Your story is totally 100% relatable and i see it with many alcoholics

What i love about this post is that its your impressive description that i use to not understand but i understood this post

It was like you looking at a art piece not knowing what it meant and not thinking its right, then it clicked and you understood

Breath easy my friend
Keep reading
Get/stay sober
ALWAYS COME BACK
and keep posting

That post was art
It was perfect illustrated

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This is a sad realization im having about this painting

She shut out the world and shes alone

I looooooove this thred

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To me it looks simple ,happy and easily yet clensily unorganized

So far my favorite ive seen here so far was atoemat

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Thank you .. your post helped me take a step back tonight and appreciate the simple things. I really do carry a lot on my shoulders that I can literally do nothing about.. Sometimes I have to restart my day at 842 pm and that’s ok.. And literally think.. what the heck am I stressing about?? There is nothing to fear…

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For me, sobriety hasn’t turned out to be a victory or a finish line.

I used to imagine it as a way out of a dark tunnel, a page finally turned. That imagery doesn’t hold anymore.

In my experience, recovery isn’t heroic, and it isn’t redemptive. There’s nothing to conquer. There’s only the daily work of inhabiting my life honestly, without anesthesia, without escape.

Success often adds weight: expectations, identity, recognition. Sobriety, for me, does the opposite. It lightens. It strips things down.

I didn’t ā€œreachā€ sobriety. I’m moving through it, one day at a time, toward simplicity, in a life I spent years making complicated.

It’s not glorious. But it’s real.

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Very nice read.. I’m glad you are here.

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ā€œThe day a statue is completed, its life, in a sense, begins.ā€ Marguerite Yourcenar

7th day after my relapse.

My inner child was not protected. Very early on, I had to adapt to others, without understanding why, but knowing how. In a way, my innocence survived, because all I did was develop armor.

My journey in sobriety is slowly and methodically erasing this identity built on tension. I’m gradually becoming the adult capable of keeping that inner core intact. I have painfully acquired the ability to step aside without feeling different from others, neither stronger nor weaker. A late form of grace is settling in: simple, ordinary, bringing peace when it’s needed, allowing me to exist.

As I move forward, I’m losing the vanity that this dramatic armor gave me. This is not a fall. It’s a re-centering. A recalibration of my authenticity. Another way of comforting myself.


I still sometimes feel emotional rushes, a sharp sadness, when I realize that I built my identity on performance, toughness and endurance. But my environment was so devoid of love that I had no choice. I did not betray myself. I waited. A long time. And I drank a lot, until a kind of self-abandonment set in.

This psychic state, this identity under tension, is slowly collapsing, like a night slipping away.

In my sober days, I no longer seek intoxication, neither chemical nor narcissistic. My defenses were built for the night. I no longer have a role to play. I no longer have to survive.

I now know how to protect myself without hardening. And I strive to leave behind the resentment and bitterness tied to that painful life. All that weight I absorbed through alcohol was my burden. My choice. By facing it directly, I can let it go, saying thank you.

My life has no meaning other than the one I give it. Now it is up to me to invent one: active, sober, simple, steady, disciplined.

Living calmly is not an empty life.

I only need to be myself, one day at a time.

The Sea, that great sculptor, Jean-Michel Folon, 1997.

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If I can recommend a book to you it is THE ORIGINS OF YOU by Vienna Pharaon. Also IT’S THEM NOT YOU by Josh Connoly. Also perhaps after reading those and doing that inner child work, I would go into learning more about IFS (internal family systems). When we learn to have grace and compassion for all our parts and start to reparent the child in us, we can loosen our reigns on the emotive to turn towards the more pragmatic. Staying sober is that pragmatic raft you need to dock into after each swim out into discovery. It’s the baseline for all emotional work.

Much love :blue_heart::victory_hand:

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